Spaces I alter

My approach to set design is shaped by a foundation in technical drawing, a profound love for construction, and the principles of the Modernism art movement. While my work is predominantly Afrocentric, drawing heavily from the rich traditions of African drama and theatre, I embrace a boundaryless philosophy in my craft. My ongoing creative journey in Southern Africa consistently broadens my artistic vision. Ultimately, I strive to design syncretic narratives that skillfully weave in Western colonial influences, creating immersive spaces that profoundly connect with audiences.

Photo by Adrien Olichon on Pexels

"A land of permanent goodbyes" TUT Department of Performing Arts Production

[Set designer & Stage Technician]

Style - Expressionism

”A LAND OF PERMANENT
GOODBYES”
Based on A powerful novel
of refugees escaping from
war-torn Syria, masterfully
told by a journalist who
witnessed the crisis
firsthand. In a country
ripped apart by war, Tareq
lives with his big and loving
family. . . until the bombs
strike. His city is in ruins.
His life is destroyed. And
those who have survived
are left to figure out their
uncertain future
Photo by Marcelo Jaboo on Pexels

MY DESIGN PROCESS

I am an enthusiastic Set Designer who is a respectful, hardworking, team player, well-organized, goal-driven, positive, and honest individual.

As a set designer and scenic artist, I prefer doing research on concepts and topics realized in the script during my script analysis in order to develop original designs. Draw my concepts based on the research. Develop the drawings into design documents (floor plans, painter's elevation, and a perspective drawing). then render the final designs and build a scale model if necessary. lastly, managing the design from concept to manifestation.